MY ENLIGHTENING TRAIN JOURNEY..............

I was travelling alone on one of the worst trains in this country. At 8:30pm, when i boarded, i thought it wise to quietly climb on my upper berth and shut off the 5 other fellow passengers. At six, the next morning, i woke to a differnt world altogether.

I climbed down with my design manual and started studying, waiting for banaras to come. the gentleman naxt to me, after observing me for some time said.......

GM-" adhyaatm mein ruchi rakhtee hain??"

ME- haan thoree bahut, aapko kaise pata?

GM- yeh aapke haath mmein bandhe dhagee bata rahain hain.

A conversation ensued in which i found out that he was a sanskrit scholar, teaching for 20 years.....

An ayurvedic doctor come Vaastu-Shastri sitting in front of us joined in...........

This was gonna be my ideal day..........

What followed was a deep conversation about everthing from the by-lanes of Banaras to the stories of Mahabarat....

They did not agree on a lot of things but still had an interesting conversation, with me as a silent receptor.......

This is exactly what Amartya Sen was talking about....THE ARGUMENTATIVE INDIAN...........

with his immeasurable capacity for bakar............

with his deep knowledge of the past....present and future...............

with his strong roots......stemming from a bihari village or a UP town.............

our compartment soon became a debating stage...........with lots of people jumping in.........

That day when i got down...i felt refreshed..........truly refreshed!!!

ARCHITECTURAL INSPIRATIONS
FROM IMITATION TO INNOVATION


Humans learn by imitation. We learn to speak by hearing people, to write by following the curving patterns of our teacher’s hand and to draft by watching our sleep starved seniors masterly rolling a Rotoring. However, life would be miserably dull if it were to stop at imitation. Blessed be the human faculty of innovation! Imitation makes talkers, typists and drafters. Innovation creates orators, authors and architects.

As young students of architecture we often find ourselves in a fix when confronted with a brand new design problem. Then beings the frantic search in magazines, journals and books for something similar. So far so good. After this most of us begin to go astray. Consciously or unconsciously, we copy from the sea of information presented in front of us. We do not stop to apply our brains. We do not stop to question, improve and improvise. That is where the innovation stops and a rut sets in. it becomes too easy to drift along with the flow rather that to challenge ourselves to swim against it.

Timeless architecture has always come when architects have broken down all shackles of norms. They have evolved but never forgot for whom and why did they build. Great architecture is always unique and user specific. Given the diverse shapes, sizes and values that we humans come in, no buildings should ever look the same again.

The source of imitation also makes a big difference. Given our fascination for all things foreign, we blindly copy from buildings that were designed in a different climate, for a different set of people and for a different reason. The most starking example of this would be our attitude when we were given a problem to design a commercial center. Pat came out designs that were replicas of air conditioned, multi coloured boxes we call malls. How many of us went out and explored the markets that exist in the old part of our cities? How many of us studied the culture and traditions of the Indian consumer? This does not mean that we appose change. You cannot afford to shut your eyes to the world when everything is moving so forward so fast. But that does not mean that it be done at the cost of local values, aspirations and needs.

Observe the work of two master architects – Raj Reval and Charles Correa. Raj Reval’s Asian Games Village present how cluster housing, a tradition in India to ward off heat by mutual shading, can be applied in a modern context to meet today’s demands. Charles Correa’s City Center would give any mall a run for its money by its beautifully placed kund, a feature to accommodate Calcutta’s ‘adda’ culture.

Five years of architectural education is designed to make logical thinkers and exceptional designers out of us. From subjects like rendering we move to hard core design. We are expectected to evolve from imitation to innovation. Five years of constant night-outs, backaches and bark circles would go to waste if we do not learn to love and appreciate the work we have set out to do, if we do not put our mind, body, heart and soul into it. At 21 you and I can afford to be idealistic fools. But I hope we still remain just as crazy at 51. So, dear reader, no matter who you are and what you do, fight it out and don’t give in. innovate, O Architect! Innovate.